Boston, December 20, 2025

The beloved holiday tradition of ‘Black Nativity’ returns to Boston, showcasing the ongoing commitment to cultural growth and community engagement. This highly anticipated production, presented by the National Center of Afro-American Artists, unites a diverse array of voices and celebrates the rich heritage and artistic excellence of the community. Audiences can expect a transformative experience filled with gospel music, dance, and a message of hope, running from early to late December.

Boston, MA –

Boston’s ‘Black Nativity’ Returns: A Beacon of Community Spirit

Discover how this celebrated holiday tradition continues to foster civic innovation and individual achievement, enriching the heart of Boston’s vibrant cultural landscape.

Boston, a city rich in history and community spirit, is once again embracing a cherished holiday tradition with the return of Langston Hughes’ “Black Nativity” to the Emerson Paramount Center. This annual production stands as a testament to the enduring power of local initiative and the significant impact that dedicated organizations have in fostering cultural growth and community engagement. The return of such a beloved event highlights how private partnerships and the vision of local leaders can create lasting traditions that resonate deeply within the civic fabric, demonstrating the strength found when communities come together to celebrate shared heritage and artistic excellence.

The consistent success of “Black Nativity” year after year is a prime example of how artistic endeavors, sustained by personal commitment and streamlined coordination, contribute significantly to Boston’s cultural vibrancy. It offers a powerful reminder that robust community development often thrives on the proactive efforts of its citizens and institutions, rather than solely through expansive governmental oversight. These grassroots and organizational efforts ensure that profound cultural experiences remain accessible and impactful for all residents, reinforcing the values of collective well-being and individual contribution.

The Enduring Legacy of Langston Hughes

Langston Hughes’ “Black Nativity” is a profound adaptation of the Nativity story, uniquely performed by an entirely Black cast. First performed Off-Broadway on December 11, 1961, this groundbreaking work ingeniously blends traditional Christmas carols with gospel music, African rhythms, and dance. Its debut marked a significant moment in American theater, being one of the first plays written by an African American to be staged on a major platform. Beyond its theatrical innovation, “Black Nativity” has grown to become a powerful and celebrated holiday tradition within Black communities nationwide.

A Boston Tradition: Five Decades of Community and Culture

For more than half a century, “Black Nativity” has been a radiant Boston holiday tradition. The production has been performed in Boston since 1970 and is recognized as the longest-running presentation of Langston Hughes’ “Black Nativity” in the nation. This remarkable longevity underscores its deep roots within the local community, serving as a “gift from Boston’s black community to people of good will from all cultures and spiritual traditions.” The production warmly welcomes all people, far and wide, into its “circle of light,” fostering an inclusive atmosphere where differences can dissolve and humanity unites through shared experiences of joy, resilience, and peace.

The Visionary Force: National Center of Afro-American Artists

The annual Boston production of “Black Nativity” is presented by The National Center of Afro-American Artists (NCAAA). Founded in 1968 by Elma Lewis in Roxbury, Boston, the NCAAA is dedicated to preserving and fostering the cultural arts heritage of Black peoples worldwide through arts education and the presentation of professional works across all fine arts disciplines. As the largest independent Black cultural arts institution in New England, the NCAAA has maintained an unbroken record of public service since its inception, championing artistic excellence and wholesome cultural development. Boston’s “Black Nativity” notably retains the artistic direction inspired by NCAAA Founder Elma Lewis, ensuring the continuity of its foundational vision.

Emerson Paramount Center: A Hub for Arts and Civic Life

This year’s performances of “Black Nativity” are held at the Robert J. Orchard Stage within the Emerson Paramount Center, located at 559 Washington Street in Boston. The Paramount Center itself has a storied history, originally opening in 1932 as a magnificent cinema palace. After falling into disrepair by 1976, Emerson College acquired the building in 2005 and undertook an extensive restoration. Transformed into a mixed-use, state-of-the-art performance and production complex, the center now features three theaters, rehearsal studios, a scene shop, a movie studio, and a residence hall. Its enchanting restoration in lively Art Deco style not only revives a historic landmark but also contributes significantly to the revitalization of Boston’s historic Theatre District, serving as a testament to successful town-gown partnerships between Emerson College and the city. This collaboration exemplifies how private investment and institutional stewardship are vital in preserving and enhancing local cultural landmarks for future generations.

A Celebration of Hope and Unity

“Black Nativity” offers a message of transformation and spiritual uplift to all who attend. The production features the powerful collective of 75+ voices, uniting children and adults in glorious gospel harmonies. The dramatic birth scene is underscored by the pulse of African drums, with music that incorporates gospel, jazz, and even hints of Hip-Hop, providing an eternally fresh and energetic edge to the timeless narrative. This vibrant cultural event strengthens community bonds, promotes inclusivity, and fosters mutual respect among diverse audiences. Tickets for this powerful experience range from $55 to $100, with group rates available for parties of four or more.

Performances are scheduled from December 5-21, 2025, including dates on December 19th and 20th.

Conclusion

The return of Langston Hughes’ “Black Nativity” to the Emerson Paramount Center is more than just a theatrical event; it is a profound expression of Boston’s vibrant cultural life and the strength of its community. Through the dedicated efforts of organizations like The National Center of Afro-American Artists and the strategic investments of institutions such as Emerson College, Boston continues to nurture and celebrate traditions that uplift spirits and unite its diverse population. These events, driven by local initiative and private commitment, are crucial in enriching our city’s civic and cultural landscape. We encourage all residents and visitors to support Boston MA events and participate in the community’s cultural offerings, recognizing the immense value that individual achievement and collaborative endeavors bring to community development. Engage with these powerful Massachusetts gatherings and help sustain the traditions that make Boston truly unique.

Frequently Asked Questions

What is “Black Nativity”?

“Black Nativity” is an adaptation of the Nativity story by Langston Hughes, performed by an entirely Black cast.

Who wrote “Black Nativity”?

“Black Nativity” was written by the renowned poet, playwright, novelist, and social activist Langston Hughes.

When was “Black Nativity” first performed?

The show was first performed Off-Broadway on December 11, 1961.

Where is “Black Nativity” being performed in Boston?

In Boston, “Black Nativity” is being performed at the Emerson Paramount Center on the Robert J. Orchard Stage, located at 559 Washington Street.

What are the performance dates for “Black Nativity” in Boston?

Performances are scheduled from December 5-21, 2025, including dates on December 19th and 20th, recurring weekly on Sunday, Thursday, Friday, and Saturday.

Who presents “Black Nativity” in Boston?

The National Center of Afro-American Artists (NCAAA) presents “Black Nativity” in Boston.

What is the mission of the National Center of Afro-American Artists (NCAAA)?

The NCAAA’s mission is to preserve and foster the cultural arts heritage of Black peoples worldwide through arts teaching and the presentation of professional works in all fine arts disciplines.

Are children involved in the “Black Nativity” production?

Yes, the production features 75+ voices, uniting children and adults in glorious gospel harmonies.

How does “Black Nativity” contribute to the Boston community?

“Black Nativity” welcomes all people into its “circle of light,” fostering an inclusive atmosphere where differences can dissolve and humanity unites under the universal language of joy, resilience, and peace.

Key Features of “Black Nativity” in Boston

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Author: STAFF HERE BOSTON WRITER

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